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2023 International Ethnosports Festival
Background of the event Implementation of the "Plans for the Promotion and Development of National Sports" project in Uzbekistan Presidential Decree No. PD-259 on May 25, 2022, To promote and popularize Uzbek sports and folk games (Ethnosports), we intend to extensively engage children and teenagers, strengthen international relations, and contribute to the revitalization of Uzbek tourism in Uzbekistan Festival Overview   - Event name : International Ethnosports Festival International Ethnosports Festival *Decided to be held every two years   - Period : For 4 days from September 7, 2023 (Thursday) to 10 (Sunday)   - Place : Ichan Kala Cultural Complex in Horism Province, Hiba Province, Uzbekistan *UNESCO World Heritage/Silk Road Oasis City Center   - Scale : Target of 1,500 people in 65 countries * Senior 250 (Minister, Vice Minister, President of the National Sports Association, etc.) Executives and 1,250 athletes   - Host/Organized : Ministry of Youth Policy and Sports in Uzbekistan Key Schedule   - September 7 (Thu): Interview with delegates, check-in of accommodation   - September 8 (Fri) 08:00 to 09:00: Parade (from Hiba Train Station to "Lee Chan-Kala")                       09:00-17:00 : Event                       14:00-20:00: Exhibitions, performances, and events                       17:00: Opening Ceremony   - September 9 (Sat) 09:00 to 19:00: Exhibitions, performances, and events                       19:00-22:00: Closing Ceremony   - September 10 (Sun): Delegates and overseas participants leave the country Major program   - (Popular culture and arts performance and exhibition): tightrope walking, wedding customs, Korean traditional music (macom), dance, literature, etc   - (Exhibition of handicrafts): Paper making, fabric making, ceramics, woodworking, etc   - (Woodsbeck Sports 12)     : Kurash, Strongman Games, Uzbek martial arts, Uzbek jangsanati (mute), mas wrestling, falconing, archery, equestrian racing, horse wrestling, horse archery, etc. Demonstrations and games *World Championship 2, International Tournament 9   - (Uzbek Folklore 8)     : Demonstrations of folk games such as tag, tug-of-war, and chicken fight (shoulder pushing) *More than 200 teenagers participate   - (Uzbek Food and Melon Festival)     : a cooking contest, a melon exhibition Benefits for overseas participating teams   : Accommodation, meals, and local transportation (Tashkent Airport ⇌Hiba) *Depending on protocol targets, hotels, restaurants, and transportation will vary

07/18/2023

Martial arts Elements (Archive)

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Nguni Stick Fighting

Nguni sport, also known as Stick Fighting, was a popular sport in the Nguni ethnic group, Zulu. The word “Nguni” is the collective name for ethnic groups of Bantu people residing in Southern Africa. At the age of 16, a boy's father takes him into the forest to cut his fighting sticks(izinduku). Decorations are put on there for aesthetic purposes and to identify members from different sides of the region. The sticks were stored on the roof of the house and were carried for self-defense. A man usually owns several pairs and chooses which pair to use based on the occasion. For war, there are many different sticks available. There is the Iklwa(short stabbing spear), Isisila Senkonjane(swallow-tail axe), Isizenze Axe(used by commoners), and the Isijula(long spear). There is a great debate about the origins of this indigenous sport within the Zulu group, some trace it to the times of Shaka Zulu and others to Amalandela, the son of Gumede, around 1670. However, it is generally agreed that during Shaka’s reign this sport was used as a way of training young men for war and self-defense. This was extended to the times of Dingaan, who was Shaka’s successor. As new leaders emerged the purpose of stick fighting also changed. During the reign of Cetshwayo who succeeded Dingaan, it was used as a means of resolving internal disputes, however, there were protocols as it was not intended for killing. Stick fighting forms an integral part of Zulu cultural tradition, fulfilling as it does an important teaching purpose. As such, for Zulu males, stick fighting is pivotal in upholding a social system that constructs accepted roles and modes of behavior.

Mallyuddha

Mall-yuddha or Malla-kridha is the traditional South Asian form of combat-wrestling, today is commonly known as ‘Kushti’ in India. Word ‘mall’ in Sanskrit means "wrestler" or "fighter" and yuddha means "combat." Thus, ‘mall-yuddha’ literally means “wrestling combat”, and ‘mall’ or ‘malla’ in its origin was a title awarded to fierce and courageous fighters. Mall-yuddha is the combat version while Mall-krida is the sport version. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as Yuddha. Malla-yuddha incorporates grappling, joint-breaking, punching, biting, choking, and pressure point striking. It is divided into four styles, each named after Hindu gods and legendary fighters: - Hanumanti concentrates on technical superiority while - Bhimaseni focuses on sheer strength. - Jambuvanti uses locks and holds to force the opponent into submission, - Jarasandhi concentrates on breaking the limbs and joints. Due to the extreme violence, this final form is generally no longer practiced. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Mallyuddha in South Asia has a history of at least 5000 years making it the oldest known codified form of fighting in the region. Competitions held for entertainment were popular among all social classes, with even kings and other royalty taking part. Wrestlers represented their kings in matches between rival kingdoms; deathmatches before the royal court served as a way to settle disputes and avoid large-scale wars. As such, professional wrestlers were held in high regard. In pastoral communities, people would even wrestle against steers. Traditional Indian wrestling first began to decline in the north after the medieval Muslim invasions when influences from Persian wrestling were incorporated into native malla-yuddha. Under the Mughal rule, courtly fashion favoured the Persianate pehlwani style. Traditional malla-yuddha remained popular in the south, however, and was particularly common in the Vijayanagara Empire. The descendants of the Jyesti clan continued to practice their ancestral arts of malla-yuddha and vajra-musti into the 1980s but rarely do so today. Mallayuddha has survived in south India however, and can still be seen in Karnataka and pockets of Tamil Nadu today.